| 张晋霞.小说《陆犯焉识》与电影《归来》之比较[J].陕西学前师范学院学报,2017,33(6):88-91 |
| 小说《陆犯焉识》与电影《归来》之比较 |
| The Arts Comparisons between the Novel Lu Fan Yan Shi and the Film Come Home |
| 投稿时间：2016-12-17 |
| DOI：10.11995/j.issn.2095-770X.2017.06.020 |
| 中文关键词: 《归来》 《陆犯焉识》 爱情 自由 |
| 英文关键词: Come Home Lu Fan Yan Shi love freedom |
| 基金项目: |
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| 摘要点击次数: 1705 |
| 全文下载次数: 1517 |
| 中文摘要: |
| 张艺谋的最新力作《归来》改编自严歌苓的长篇小说《陆犯焉识》，由于小说和电影是两种不同的艺术形式，从小说文本到电影文本，二者在主题、情节、人物形象的塑造、人物命运等方面均存在差异，在这些差异的背后，传达出了作家和导演不同的艺术诉求。文章通过比较《陆犯焉识》与《归来》，来深入挖掘小说文本与电影文本之间存在的差异以及电影对小说改编的得失。 |
| 英文摘要: |
| The latest film Come Home, which directed by Zhang Yimou, is adapted from the novel Lu Fan Yan Shi written by Yan Geling. Novels and films are two different sorts of arts. They adapted respective special expressive arts and techniques to elucidate the same theme. The film Come Home and the novel Lu Fan Yan Shi are the research objects of this article and was discussed the differences between them from the theme, the plot, the characters and so on. |
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