| 景兴燕.《中国在梁庄》：“外来者”视域下的乡村想象[J].陕西学前师范学院学报,2020,36(4):120-124 |
| 《中国在梁庄》：“外来者”视域下的乡村想象 |
| China in Liangzhuang: Rural Imagination from the Perspective of "Outsiders" |
| 投稿时间：2019-09-09 修订日期：2019-09-29 |
| DOI：10.11995/j.issn.2095-770X.2020.04.019 |
| 中文关键词: 梁庄 外来者 乡村想象 |
| 英文关键词: Liangzhuang outsider rural imagination |
| 基金项目:陕西师范大学博士研究生自由探索项目（2019TS101） |
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| 中文摘要: |
| “外来者”是中国现当代文学史上一个经典的人物类型，以写作《中国在梁庄》而闻名的梁鸿之于梁庄便是一个“外来
者”。经过这一视域的过滤，梁庄成为“外来者故事”中阐释现代与传统、外来与本土、城市与乡村等问题的“最佳话语场”；成为通
过“这一个”的病灶式呈现，反映当下中国转型期众多乡村现实的“被剪裁的样本”；成为交织着民间同情立场和理性批判精神、叠
加着启蒙烛照和感性宣泄的满是裂隙的“乡村想象”。 |
| 英文摘要: |
| "Outsider" is a classic character type in the history of Chinese modern and contemporary literature.
Liang Hongzhi, who is famous for writing "China in Liangzhuang" , is an "outsider" . Through the filter of this
horizon, Liang zhuang has become the "best discourse field" in "the story of the outsider" to explain modern
and traditional, foreign and native, urban and rural issues, and the focus presentation through "this one" , the
"tailored sample" , which reflects the reality of many villages in the transitional period of China, has become a
"village imagination" full of rifts interwoven with folk sympathetic stand and rational critical spirit, superimposed
with enlightenment candle light and emotional catharsis. |
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