| 唐鸽鸽.达芬奇的镜子说与诗画理论的内涵及启示[J].陕西学前师范学院学报,2016,32(2):99-102 |
| 达芬奇的镜子说与诗画理论的内涵及启示 |
| A Study on the Significance and Enlightenment of the Connection of the Mirror Of Leonardo Da Vinci and the Poetry & Painting Theory |
| 投稿时间：2015-09-29 修订日期：2015-11-17 |
| DOI：10.11995/j.issn.2095-770X.2016.02.023 |
| 中文关键词: 达芬奇 镜子说 诗画理论 |
| 英文关键词: Leonardo Da Vinci the theory of mirror the poetry & painting theory |
| 基金项目: |
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| 摘要点击次数: 3038 |
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| 中文摘要: |
| 达芬奇提出了著名的镜子说,强调艺术家要把经验之镜与心灵之镜有机结合,以自然之镜表现完美自然的本质形象。艺术源于自然，更高于自然，在此基础上他又提出了诗画论，把绘画艺术与诗歌艺术进行比较，赋予了绘画全新的地位，在西方近现代美学史上占据重要的地位，同时也给现代社会带来一定的影响与思考。 |
| 英文摘要: |
| The mirror of Leonardo Da Vinci was famously stressed that the artist should make an organic combination of experience and the mind,in order to express the essence of the nature like a mirror with perfect images.We know art comes from nature,but more than nature.On the basis of the theory he put forward the poetry art.The painting art and poetry art give the painting a new position to be understood,which help to occupy the important position in western modern aesthetics,and create a certain rethinking about the modern society. |
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