| 洪 阳,洪明良.曲韵悠扬 余音绕梁 ——论南音散曲《辗转三思》的曲韵[J].陕西学前师范学院学报,2018,34(9):95-98 |
| 曲韵悠扬 余音绕梁 ——论南音散曲《辗转三思》的曲韵 |
| Rhyme and Melodious, the Tune Lingered in the Room —Study on the Rhyming of the Non-dramatic Songs in Southern Tunes Think over and over Restlessly |
| 投稿时间：2018-03-21 修订日期：2018-05-07 |
| DOI：10.11995/j.issn.2095-770X.2018.09.021 |
| 中文关键词: 《辗转三思》 曲韵 大韵 移宫犯调 |
| 英文关键词: Think over and over Restlessly rhythm Dayun transposition |
| 基金项目:泉州市社会科学规划课题项目（2017H03） |
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| 中文摘要: |
| 南音散曲《辗转三思》的曲韵包括“指骨”及其隐含的旋律，至今保存着古音阶以及进行时撩拍不受强弱规律约束的特点。曲韵最富有个性的是大韵，通过频繁的移宫犯调来重复或变化重复主题是维系全曲乐思统一的主要手法。本文通过对构成《辗转三思》曲韵的几大要素的分析，探究它的曲韵特征。 |
| 英文摘要: |
| The singing of Southern Tunes Think over and over Restlessly should be with fingering and melody, which retains the characteristics of ancient musical scale and the beat of Liao that is not restricted by the arrangement of accented and unaccented beat.The most distinctive rhyme in it should be the Dayun rhyme.To repeat the theme by frequent transposition is the major way to make the whole passage coordinate.The paper tries to explore the characteristics of the rhyming of the non-dramatic songs in Southern Tunes Think over and over Restlessly by the analysis of the elements of its rhyme. |
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