| 汪昭坤.词坛皇后 婉约宗主——李清照词于清代的接受与影响[J].陕西学前师范学院学报,2017,33(9):125-129 |
| 词坛皇后 婉约宗主——李清照词于清代的接受与影响 |
| A Tentative Study on the Acceptance and Influence of the Poem of Li Qingzhao in Qing Dynasty |
| 投稿时间：2017-05-27 修订日期：2017-06-04 |
| DOI：10.11995/j.issn.2095-770X.2017.09.028 |
| 中文关键词: 李清照词 清代 接受 影响 |
| 英文关键词: poems of Li Qingzhao Qing dynasty acceptance influence |
| 基金项目: |
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| 中文摘要: |
| 李清照的词以其独特的艺术风貌誉满词坛，宋人对李清照词已有认同，誉其为“易安体”，明代词论家认为她是词之正宗。清代词学复兴，清人对李清照的词也是格外推崇的，词论家们推之为词坛的皇后，婉约派之宗主。从宏微观接受以及传播的角度对李清照词于清代的接受与影响进行了分析，指出李清照词正是在清代完成了由体入宗再到派的历史定位，从而最终确立其在词史上的经典地位。 |
| 英文摘要: |
| The poems of Li Qingzhao are famous in poem selected works for their especially artistic style. They have been already well known in Song dynasty and called ‘Yi An form’. Poem critics consider them as the most authentic poems. Poem renaissance began at Qing dynasty and the poem critics at that time praised highly of her poems. Therefore, Li Qingzhao was recommended as the queen of poem as well as the pioneer of graceful and restrained poetic genre. This thesis analyzes the acceptance and influence of poems of Li Qingzhao in Qing dynasty in the perspective of macro and micro acceptance as well as dissemination. In addition, author points out that such poems undergone a transition from form to faction in Qing dynasty, and eventually their classic status were confirmed in poem history. |
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