| 段奕辰.余光中诗歌的形式符号学解读[J].陕西学前师范学院学报,2016,32(9):95-98 |
| 余光中诗歌的形式符号学解读 |
| Interpretation on the Form and Symbols in Yu Guangzhong's Poetry |
| 投稿时间：2016-01-13 修订日期：2016-03-06 |
| DOI：10.11995/j.issn.2095-770X.2016.09.021 |
| 中文关键词: 对称 重叠 排偶 散文化语言 戏剧性假定 “镜像”符号 “合式”原则 |
| 英文关键词: symmetry overlap parallelism and antithesis Loose culture language dramatic assumptions “mirror” symbolic “Decorum” principle |
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| 中文摘要: |
| 诗歌是史上诞生最早的文学样式，古今中外诸多文学理论，都涉及诗歌形式、符号探讨。如修辞、话语规则、句法结构搭建了诗歌的表层结构，象征和比喻又构成了其情感深层表达的“有意味”的空间。研究诗歌的艺术性、审美性，文本形式和符号学意义分析方法是基石。从三个方面解读余光中诗歌：（1）形式表层：韵律、句法、词汇主题；（2）“符号”示意：比喻、组合与联想、直陈或曲现“虚幻的生活”；（3）“合式”原则。 |
| 英文摘要: |
| Poetry is one of the earliest literary forms in the history. Many literary theories home and abroad are involved in the exploration of the form and symbol in poetry from different aspects. Researchers conclude that the surface structure of a poem is composed of rhetoric, discourse rules and syntactic structure and that symbolism and metaphor constitutes the “meaningful” space of the poem. To approach the artistic quality and aesthetic characteristics of poetry, analysis of its form and symbolic significance is the cornerstone. This paper interprets Yu Guangzhong’s poetic works from three aspects: (1) “superficial form”: prosodic, syntactic and lexical theme; (2) “connotations of the symbol”: metaphor, combination and association, directly or indirectly presented “unreal life”；(3) “Decorum principle”. |
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