| 魏 辉.“文人画”与“院体画”言意之别[J].陕西学前师范学院学报,2017,33(3):126-130 |
| “文人画”与“院体画”言意之别 |
| Study on the Different Meanings of “Literati Painting” and “Imperial Court Decorative Painting” |
| 投稿时间：2016-09-15 |
| DOI：10.11995/j.issn.2095-770X.2017.03.028 |
| 中文关键词: 文人画 士人画 院体画 院画 |
| 英文关键词: Literati Paintings Literary Painting Imperial Court Decorative Painting Yuan Hua |
| 基金项目: |
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| 中文摘要: |
| 文人画”与“院体画”体现了中国绘画史中两种最为重要的绘画审美思想与艺术创作形态,对中国绘画艺术发展具有重要意义，其产生与发展过程中也各自体现出不同的时代审美内涵。“ 文人画”观在明代社会文化形态中的意义转变以及近现代绘画史研究中的涵义拓展，体现了其审美内涵的时代发展特征。“院体画”则是伴随着封建社会宫廷画院的产生出现的，有其鲜明的绘画风格特征与时代审美内涵，但是“院体画”的说法在当代已经日渐式微。 |
| 英文摘要: |
| The “Literati Painting” and “Imperial Court Decorative Painting” reflects the Chinese painting in two of the most important painting aesthetic thoughts and art form，is of great significance to the development of Chinese painting art. Their generation and development process and their respective aesthetic connotation were reflected in different eras. The social culture meaning of “Literati Painting” concept has changed the form and meaning in the Ming dynasty，reflected the development of its characteristics and aesthetic connotation. “Imperial Court Decorative Painting” has been accomplished by the imperial art styles，which has its distinctive characteristics of painting style and the aesthetic connotation of the times. While “the imperial court decorative painting” has been diminished in the contemporary time. |
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