| 张聪敏.电视剧《伪装者》在结构主义视野下的分析[J].陕西学前师范学院学报,2016,32(12):124-127 |
| 电视剧《伪装者》在结构主义视野下的分析 |
| Analysis of the TV Series“The Pretender” Under the Structure of Perspective |
| 投稿时间：2016-01-12 修订日期：2016-08-31 |
| DOI：10.11995/j.issn.2095-770X.2016.12.028 |
| 中文关键词: 格雷马斯 角色模式 语义矩阵 人性 现代化意义 |
| 英文关键词: Greimas role model semantic matrix human nature the meaning of modernization |
| 基金项目: |
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| 中文摘要: |
| 《伪装者》作为一部抗日谍战剧，以其独特性给人们带来新的视觉观感。整部剧以明家为主要叙述环境，涉及人物众多，并赋予多重伪装身份，上演了一场激烈的爱国战争戏。而结构主义叙事学的代表人物格雷马斯，他的角色模式和语义矩阵为分析《伪装者》提供了理论基础。本文通过角色模式分析其爱国的表层意义，以语义矩阵模式挖掘深层的人性。另外，这部剧又映衬出对90后的认同感、电视剧转型的背后是国民心态、兴趣点的转型等多重现代化意义。 |
| 英文摘要: |
| “The Pretender” is an anti-Japanese war spy drama, and it brought to mankind visual perception with its unique. The main narrative environment of the whole drama is the Ming family, in which involving many people and they were given multiple fake identities. The drama presented a fierce patriotic war drama. Greimas is the representative of Structuralism Narrative, whose role and semantic analysis provides a theoretical basis for analysis "The Pretender". This paper through the role models analyzes their patriotic surface meaning and semantic matrix pattern. In addition, the show has reflected a sense of identity transformation of 90’s. The drama is the national mentality transformation, transition points of interest, such as multiple modernization significance. |
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