| 王 兵.论鲁迅的长子长孙角色意识及其审美倾向[J].陕西学前师范学院学报,2018,34(9):90-94 |
| 论鲁迅的长子长孙角色意识及其审美倾向 |
| Study on Lu Xun 's Consciousness of the Roles of Eldest Child and His Aesthetic Tendency in His Works |
| 投稿时间：2018-01-12 |
| DOI：10.11995/j.issn.2095-770X.2018.09.020 |
| 中文关键词: 鲁迅 长子长孙角色意识 中华民族 审美倾向 |
| 英文关键词: Lu Xun the consciousness of the roles of eldest child, Chinese nation, aesthetic tendency |
| 基金项目: |
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| 摘要点击次数: 1152 |
| 全文下载次数: 747 |
| 中文摘要: |
| 鲁迅的长子长孙角色意识在家族灾难中建立，在一系列苦难人生经历中完成了由家到国的转变，它对鲁迅的人生选择和情感、心理与审美倾向产生了决定性影响，构成了鲁迅文学思想与创作风格的独特性质，是评价鲁迅文学艺术不容忽视的重要因素。鲁迅长子长孙角色意识关照下的文学创作符合民族文化的现实需求和长远目标，代表了民族文化的总体特性，是中华民族宝贵的精神财富。 |
| 英文摘要: |
| Lu Xun has the consciousness of the roles of firstborn-child and firstborn-grandchild in his works, which was established in the familial disaster.He completed the consciousness transition from a family issue to a nation-wide issue in a series of suffering life experiences.It had a decisive influence on Lu Xun's life choice and emotional, psychological and aesthetic tendencies, which constituted the thoughts of Lu Xun's literature and the unique nature of creative style.It is an important factor of evaluating Lu Xun's literature and art.The literary creation in terms of Lu Xun's firstborn consciousness agrees with the realistic needs and long-term goals of Chinese national culture, and represents the overall characteristics of Chinese culture, which is a precious spiritual heritage of China. |
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